monismo contemporáneo kuantika tv

Hexagons, Saturn, and ADN “Moand Art”

Jazz 9 Ometeotl — Fri, 15 Jan 2010 20:11:58 +0000

: Image via Wikipedia

Sacred geometry is geometry used in the design of sacred architecture and sacred art. The basic belief is that geometry and mathematical ratios, harmonics and proportion are also found in music, light, and cosmology. This value system has been found even in human prehistory and is considered by some to be a cultural universal of the human condition. Sacred geometry is foundational to the building of sacred structures such as temples, mosques, megaliths, monuments and churches; sacred spaces such as altars, temenoi and tabernacles; meeting places such as sacred groves, village greens and holy wells and the creation of religious art, iconography and using “divine” proportions. Sacred geometry-based arts may also be ephemeral, such as found in visualization, sandpainting and medicine wheels.

String Theory – (2 Minutes)

Jazz 9 Ometeotl — Tue, 05 May 2009 14:58:53 +0000

String Theory – (2 Minutes)

Professor Stephen Hawking

Jazz 9 Ometeotl — Fri, 04 Jul 2008 14:01:01 +0000

Professor Stephen Hawking

Kavli Foundation: Introduction to Theoretical Astrophysics

Jazz 9 Ometeotl — Tue, 24 Jun 2008 16:26:59 +0000

Kavli Foundation: Introduction to Theoretical Astrophysics

SL5B: Philip & M’s Opening Keynote VIDEO

Jazz 9 Ometeotl — Tue, 24 Jun 2008 16:03:06 +0000

SL5B: Philip & M’s Opening Keynote VIDEO

John From Cincinnati: Car Dealership Scene from Finale

Jazz 9 Ometeotl — Mon, 10 Mar 2008 16:37:00 +0000

Oh, so I’ve got to know what I mean before I can have a feeling. Do I have to know that you’ll understand me? Do you have to know you’ll understand before you’ll listen?

What do you think this scene is all about?
(leave a comment.)

This is weird stuff and you must listen carefully to this one (excellent show- must see).

DEALER: I feel that you boys are ready for this Camino ….

LINC: (Includes Jake) Between the two of us we own more cars than you have on this lot. My guess is that your feeling’s probably right.

Linc meant to put the Dealer off his pitch and thereby abbreviate their business; instead the Dealer bridles –

DEALER: That’s not what I mean by ready – number of vehicles owned.

Jake and Linc tag-team their message of impatience –

JAKE: What do you mean, Pops?

LINC: We got to, uh, boogie.

The Dealer comes over their top –

DEALER: Oh, so I’ve got to know what I mean before I can have a feeling. Do I have to know that you’ll understand me? Do you have to know you’ll understand before you’ll listen?

Which appears to put Jake in a different, passive state –

DEALER (to Linc): Twenty-five cars between you — you should’ve let me sit down before you told me. I got that many dealerships in each of that many sectors, and brands on goddamn franchise. I’ve got to boogie, me.

John indicates the Dealer, in whose rhythms and accents he reproaches Linc and Jake for their failure to take the Dealer’s premise on its face –

JOHN: He feels you’re ready for the Camino.

Where Jake’s gone, Linc has now gone too –

DEALER (to John) You’re off-line now, Country.

JOHN: I don’t know Butchie instead.

DEALER: (To Linc and Jake, re John) How’s he for high-performance? And he ain’t who’s worst-underpowered.

If the Dealer had suspenders he’d flex them to indicate who he means –

DEALER: Intrusions, evanescences – I’m a shepherd without crook or understanding. Fits and stops and starts. Waves and ripples and ramifications. Busted knee, mother-son handjob …. Christ, Jesus Christ Jesus Christ.

The Dealer’s tight smile is not fully persuasive –

DEALER: Crosses and shoulders to bear ‘em.

He smacks his hand on the El Camino –

DEALER: El Camino, fifteen thousand, as is.

Linc and Jake have regained their faculties –

LINC: Is it gassed?

JOHN: F**king-A right it’s gassed Linc.

As John puts on the counter the fifteen thousand dollars in hundred dollar bills which has materialized in his pocket the Dealer’s stern gaze goes to Linc –

DEALER: You and your twenty-five cars. Circle and line on the wall, and zeros and goddamned ones, is what to turn the both of your gifts to –

The Dealer’s “both” appears to include Jake –

DEALER: — and not one damn minute to waste.

JOHN: Ragheads are going to get themselves eradicated.

DEALER: (vigorously interrupting John) Country, I took you off-line. (calling off camera, re El Camino) Manuel, get a cage on this thing.

John leans over the hood of the El Camino and employs the entirety of his wingspan to offer it a hug. Off which –

more http://www.hbo.com/johnfromcincinnati/inside/index.html

Hot Air Balloon Festival, Leon Gto Mexico

Jazz 9 Ometeotl — Mon, 10 Mar 2008 02:38:00 +0000

Hot Air Balloon Festival, Leon Gto Mexico, originally uploaded by Navarroe.

Tar_zan was trying to get a good shot of the balloons, I just shot ‘em all. Including Tar_zan

Best viewed on Large & Black
View On Black

Uploaded by Navarroe on 4 Dec 07, 12.13PM CST.

Times Square, New York

Jazz 9 Ometeotl — Mon, 10 Mar 2008 02:12:00 +0000

Times Square, New York, originally uploaded by Navarroe.

This is one of the views I like the most of New York, the classic Times Square… Amazing place, amazing shops, amazing theatres… well it is New york, What could we expect?

Uploaded by Navarroe on 7 Aug 07, 3.00PM CST.

"Zappa," Kyoto

Jazz 9 Ometeotl — Mon, 10 Mar 2008 01:55:00 +0000

“Zappa,” Kyoto, originally uploaded by MarkInKyoto.

A 4-second exposure inside “Zappa,” an Indonesian restaurant/bar in Kyoto. David Bowie once dined/drank here, circa 1979. There’s a snapshot of him on the wall. Bono of “U2″ fame was also here–as a signed record cover & snapshot attest. The restaurant is named–of course–after Frank Z.

A reveiw from Frommer’s: www.frommers.com/destinations/kyoto/D61299.html

Uploaded by MarkInKyoto on 16 Oct 07, 10.21PM CST.

Hacka

Jazz 9 Ometeotl — Sun, 09 Mar 2008 23:45:00 +0000

Hacka, originally uploaded by myrika.

Although the use of a haka by the All Blacks has made one type of haka familiar, it has led to misconceptions. Haka[2] are not exclusively war dances, nor are they only performed by men. Some are performed by women, others by mixed groups, and some simple haka are performed by children. Haka are performed for various reasons: for amusement, as a hearty welcome to distinguished guests, or to acknowledge great achievements or occasions (McLean 1996:46-47). War haka, which had their own term, ‘peruperu’, were originally performed by warriors before a battle, proclaiming their strength and prowess in order to intimidate the opposition. Today, haka constitute an integral part of formal or official welcome ceremonies for distinguished visitors or foreign dignitaries, serving to impart a sense of the importance of the occasion.

Various actions are employed in the course of a performance, including facial contortions such as showing the whites of the eyes and the poking out of the tongue, and a wide variety of vigorous body actions such as slapping the hands against the body and stamping of the feet. As well as chanted words, a variety of cries and grunts are used. Haka may be understood as a kind of symphony in which the different parts of the body represent many instruments. The hands, arms, legs, feet, voice, eyes, tongue and the body as a whole combine to express courage, annoyance, joy or other feelings relevant to the purpose of the occasion.